|View of Crawford Notch from our base at the AMC Highland Center|
The White Mountains, arguably the east coast's most "sublime and picturesque" terrain, have never ceased to fascinate lovers of the outdoors. So it makes sense that some of nature's most rapt admirers - landscape painters - are coming back as they once did to explore the Whites in their art.
|The AMC Highland Center at Crawford Notch.|
A couple of weeks ago, six men and women joined me for a three-day beginners-welcome workshop at the AMC Highland Center, a wonderful, hotel-like lodge at the base of Crawford Notch in the White Mountain National Forest. . From Sunday till Tuesday all we did was get up in the morning, have an all-you-can-eat breakfast, and walk out the door, set up, and start painting. There were easy hikes to elevated viewpoints and a van at our disposal to take us anywhere in the Whites, but who needs them when everywhere you look there's a painting to be made? We'd break for lunch, paint until 4, and then we'd all meet at 6 for the gourmet dinners served family style complete with beer, wine, and freshly baked bread.
|Painting at the edge of Saco Lake, across the street from the Highland Center.|
After dinner the first night I gave a slide talk on the history of White Mountain painting. The next day we painted from a different side of the lodge and that evening we watched Brush and Pen, Artists and Writers of the White Mountains, a documentary on White Mountain history, art, and literature.
The inaugural AMC Highland Center Crawford Notch Artist in Residency was an unqualified success. In a wonderful circularity, two of the participants in the first revival of the Crawford Notch residency - Lisa Shapliegh-Koepke and her mother Elizabeth - were actually descendants of the same Shapleigh family as was the site's original artist-in-residence Frank Henry Shapleigh.
|Frank Henry Shapleigh's restored 19th century studio building, part of the Highland Center.|
Frank Shapleigh was artist-in-residence for 16 years from 1877-1893 at the Crawford House, one of the grandest of the grand hotels, the abandoned hulk of which burned to the ground in 1977.
|Early engraving of the original Crawford House|
|The Crawford House in its heyday.|
|Crawford House in 1977, the summer before the fire.|
At the age of 86, Elizabeth was an inspiration to us - despite using a walker to get around, she wasn't held back at all and painted with us in all of the locations (it's that easy to find spectacular scenery to paint within easy walking distance of the lodge).
|My rendering of the gate of the Notch from Saco Lake.|
|Shapleigh's view from Mount Willard|
|My photo from roughly the same spot as Shapleigh's painting.|
The view was unbelievable and more than worth the effort of the hike, which wasn't all that bad actually, even with a 30-pound paint kit on my back. The sketch doesn't look like much, but it's got the information I need to build a study and then I can work from there on something larger.
|My sketch of the valley of the Notch.|
|I was fascinated by this peak, and I still want to paint it.|
|This was nearby but we didn't end up painting it. Next time!|
|Burning Off, an 8" x 10" I painted from outside the Highland Center|
I'm hoping the AMC Crawford Notch residency will become an institution of American plein air painting. The idea is to invite artists from all over the country - plein air painters, mostly - to spend a week in residence at the Highland Center. Each artist will conduct a painting workshop for a set portion of the week and is also encouraged to present an evening program, a talk or presentation, of some kind.
|A White Mountain landscape, c. 2013, by contemporary painter Eric Koeppel.|